2020. 2. 22. 01:49ㆍ카테고리 없음
Hi there Beoworlders. I am after some simple step by step instructions to help me plan my home sound system.
Were in the stages of planning a renovation and I need to give some details to my architects. Im a bit of an ignoramus so excuse the stupid questions. I presently have a BS9000 and 3000 (not used) along with some BL8000 speakers. I presently have my 9000 connected via airport express plugged into the 9000 for wireless music. Im wanting to improve the sound quality.
You can connect your Bang & Olufsen speakers to your PC/MAC by means of a special cable. This cable runs from the PC/MAC variable line output to the Line socket of your Bang & Olufsen speaker.
BL5's are planned and I am hoping to use a mac mini as a music server and ipad as a remote. The options are to either use the mini directly to the lab5s or the presently unused 3000 as a conduit. What are the best and simplest connection options - nothing to complex but I do want to keep the sound quality high. (The 9000 will be used as a stand alone product with the 8000s in another room) Any help and guidance would be much appreciated.
- Flanking the power input are two 3.5mm analog audio in and out connections for daisy chaining and connecting multiple S3 speakers together (up to 4), as well as a micro-USB input for using audio digitally instead of wirelessly pairing via Bluetooth.
- We've just moved our PC's over to MAC to give seamless integration between IMACs, Iphones and IPAD wherever we are, as probably half of our time is spent.
Easiest is to connect the Mac Mini via optical digital out trough a optical to coaxial digital converter (about £20-50). Directly to the Beolab 5's. This is how I have my current system setup. Works really well. My BS9000 'controls' my BL5's. You need to use the 'CD' source on your 3000, to let the BL5's know to listen for a digital input.
Even if you have a CD loaded in your BS3000, the digital signal will automatically override the Powerlink signal coming from your BS3000. If you do want to listen to your CD's, that's no problem either, just pause iTunes and after a few seconds the BL5's realize there is no digital signal anymore, and flips over to listen to the Powerlink cables.
I also have an iPad to control it all. A great system, which makes me able to save my beloved BS9000, and enjoy the comfort of having all my music stored in lossless quality and easy access in a music library. I have a setup similar to bayerische's.
However, I would strongly recommend a sound-card between your Mac mini and the BL5s, to ensure a properly clocked signal, instead of just a straight conversion. It's not complicated at all. From the Mac mini you run a firewire cable to a unit such as this one: It will work as a converter, but you will be feeding it with the Core Audio output from the Mac mini, instead of the Toslink optical, and then you pull a Coax S/PDIF signal from the unit to your BL5s. Set-up is simple, you use the internal clock sync of the Impact Twin and your speakers will breathe very well. If you want to get a touch advanced, get Pure Music - it's software for playback which loads the music into the computer's RAM. It accesses the music using iTunes for file management, but it has a better playback engine than QuickTime (proven in many listening tests.) It's quite inexpensive.
As bayerische says, you can control playback from an iPhone or iPad, using Remote or some of the other remote programs available. It's an excellent solution. No stupidity here.
Back in Beosystem 6500 days, the system was equipped with a coax s/pdif out from the CD-player, marked 'for future use.' They never used that, as far as I know, until the BeoSound 9000 came along and you could make a connection to a similar port directly to a pair of BL5s (when those were launched.) However, the B&O codes have a quirk, as described by bayerische: the BL5s look for a signal from the s/pdif connection, and will give priority to that, if detected. If not, they fall back to whatever is coming down the Powerlink. And even if they are decoding an s/pdif signal, you can control the speakers through the Powerlink, to adjust volume, etc. So this is a work-around where you can attach a non-B&O source, while still being almost entirely inside the B&O control interface. Most of the time I don't use the Beomaster 7000 that's connected to my BL5s.
I have it there when I want to play musicassettes, and then I use the speakers in Option 0. You would want to do the same thing, but you also want to send music to the speakers using the Mac mini. I haven't tried this with a BeoSound 3000, which has an integrated CD-player, so you would have to experiment as to the coax s/pdif override when you press CD on the remote.
Here's what happens with my setup, when I'm in Option 0 for the BL5s and want music from the Mac mini. I press CD on the remote, the Beomaster 7000 switches on, shows CD on the display and fires up the speakers, if the Mac mini is already playing something, then that's what I hear from the speakers, or else I can just select something with my iPhone or iPad, and that gets the music going. The Beomaster 6500 is connected via Powerlink to the BL5s. The Mac mini is connected to the tc electronics soundcard that is the predecessor to the Impact Twin I linked to above. The signal goes from the mini via FireWire, which is the best possible connection for porting music out of a mini. The Impact Twin has coax s/pdif OUT, and I just run the regular s/pdif cable from B&O from the soundcard to to one of the speakers, and then daisychain from that to the next. The advantages of using a soundcard of this kind are many.
Given the brilliant resolution of the speakers, you get to feed them the best possible signal, which has been reclocked by the soundcard. The way it is set up, the mini is actually slaved to the soundcard, but controlled from it via a very sensible control panel. Theoretically, it shouldn't matter whether you convert from Core Audio to Toslink s/pdif, convert that to coax s/pdif and then feed the speakers; but ideally you would want to have as few conversions as possible between source and speakers. Using a soundcard such as the above sends Core Audio (the native audio protocol for the Mac OS, used by professionals in film and music) straight to the soundcard, which then sends a coax s/pdif straight to your speakers, while the soundcard's clock is ensuring as jitter free delivery as it's desirable to have. No stupidity here. Back in Beosystem 6500 days, the system was equipped with a coax s/pdif out from the CD-player, marked 'for future use.' They never used that, as far as I know, until the BeoSound 9000 came along and you could make a connection to a similar port directly to a pair of BL5s (when those were launched.) However, the B&O codes have a quirk, as described by bayerische: the BL5s look for a signal from the s/pdif connection, and will give priority to that, if detected.
If not, they fall back to whatever is coming down the Powerlink. And even if they are decoding an s/pdif signal, you can control the speakers through the Powerlink, to adjust volume, etc. So this is a work-around where you can attach a non-B&O source, while still being almost entirely inside the B&O control interface.
Most of the time I don't use the Beomaster 7000 that's connected to my BL5s. I have it there when I want to play musicassettes, and then I use the speakers in Option 0. You would want to do the same thing, but you also want to send music to the speakers using the Mac mini.
I haven't tried this with a BeoSound 3000, which has an integrated CD-player, so you would have to experiment as to the coax s/pdif override when you press CD on the remote. Here's what happens with my setup, when I'm in Option 0 for the BL5s and want music from the Mac mini. I press CD on the remote, the Beomaster 7000 switches on, shows CD on the display and fires up the speakers, if the Mac mini is already playing something, then that's what I hear from the speakers, or else I can just select something with my iPhone or iPad, and that gets the music going. The Beomaster 6500 is connected via Powerlink to the BL5s. The Mac mini is connected to the tc electronics soundcard that is the predecessor to the Impact Twin I linked to above. The signal goes from the mini via FireWire, which is the best possible connection for porting music out of a mini. The Impact Twin has coax s/pdif OUT, and I just run the regular s/pdif cable from B&O from the soundcard to to one of the speakers, and then daisychain from that to the next.
The advantages of using a soundcard of this kind are many. Given the brilliant resolution of the speakers, you get to feed them the best possible signal, which has been reclocked by the soundcard. The way it is set up, the mini is actually slaved to the soundcard, but controlled from it via a very sensible control panel. Theoretically, it shouldn't matter whether you convert from Core Audio to Toslink s/pdif, convert that to coax s/pdif and then feed the speakers; but ideally you would want to have as few conversions as possible between source and speakers. Using a soundcard such as the above sends Core Audio (the native audio protocol for the Mac OS, used by professionals in film and music) straight to the soundcard, which then sends a coax s/pdif straight to your speakers, while the soundcard's clock is ensuring as jitter free delivery as it's desirable to have. While everything you say makes perfect sense, when transferring a digital signal to the BL5 is there really a sound quality benefit in having the intermediate soundcard stage, as it is the clocking of the DAC (internal to the BL5) which dictates the quality/jitter performance rather than the quality of data transfer over the spdif link (assuming of course no complete data dropouts). I would assume (although it's not clear form the service manual) that the transfered data is suitably buffered at the input of the BL5 as it is then processed by the DSP before then being passed to the DAC/Amp.
I can however understand having the soundcard there for electrical isolation reasons, or for use with other speakers whereby the output of the soundcard would then be analogue (from the soundcard DAC) and the souncard clock stability would therefore be significant. While everything you say makes perfect sense, when transferring a digital signal to the BL5 is there really a sound quality benefit in having the intermediate soundcard stage, as it is the clocking of the DAC (internal to the BL5) which dictates the quality/jitter performance rather than the quality of data transfer over the spdif link (assuming of course no complete data dropouts). I would assume (although it's not clear form the service manual) that the transfered data is suitably buffered at the input of the BL5 as it is then processed by the DSP before then being passed to the DAC/Amp.
I can however understand having the soundcard there for electrical isolation reasons, or for use with other speakers whereby the output of the soundcard would then be analogue (from the soundcard DAC) and the souncard clock stability would therefore be significant. Here's my setup today. You can barely spot the Beomaster 7000 to the left of the television. All other equipment is inside the cabinet, and is controlled from the iPad. Music and video is stored on a NAS-unit in another room. I use the Beomaster infrequently, to play musicassettes using a Beocord 6500, or to listen to radio. But as I find myself listening more and more to net radio, the Beomaster is headed for another room soon.
I prefer listening in a quite dark room (and no, that's not dust on the dome of the BL5 on the left. I put a flashlight on it to pick out the lenses, and that created the impression.). It really does wonders for the sound when the BL5s get space to work - I find that the bass becomes particularly involving and distinct. Here's a picture showing the setup with more light. Interesting, I've never really considered the vertical dispersion BELOW the BeoLab 5's acoustic lenses, although I'm assuming it's actually slightly tighter than the dispersion above because of the shape of the discs.
I say this because I find I have issues with reflections off coffee tables in that sort of situation, but I suppose BeoLab 5s don't suffer from the same issue! We're a little off the topic of the thread now. I just wanted to demonstrate that it's possible to use a B&O audiomaster in the way that the OP intends.
My only concern being whether the BeoSound he intends to use, which has an integrated cd-player, can be used in this manner. I'm using a Beomaster 7000, where the CD-coax is supposed to come from 'outside' the unit anyway.
The discs do limit the downward dispersion significantly compared to ordinary speaker constructions. Previously I used to have two small tables to each side, but I have moved those into the other listening room, where I have traditional speakers.
I couldn't discern any difference between those tables and this new one with the BL5s, and when I'm in complete audiophila nervosa mode I just push the table to the side, it's very light. Here's a photo of the tables I used previously, one on either side.
@ Beoboiinoz The screen is a Pioneer Kuro plasma, which I bought as they came out. And the picture is still so good that I haven't considered replacing it. If I do, it will probably be for a projector. At the time, the Kuro screen was significantly better than other available screens, money no object.
Soundproof and others thanks for your input so far. I may have to try and see if I can use the BS 3000 as intended. Since we are drawing everything up with no exposed wires - I need to have things perfectly planned before the cabinetmakers final drawings. At least I know the 9000 is a fall back. But we need to see if the 3000 will work. Since I have your attention perhaps you'll indulge me further.
1) Core Audio?? IS this a Mac mini specific thing? Additional software? Couldn't find anything on the web explaining this. 2) Can I use a Macbook Pro instead of the preposed mac mini (ie use the Firewire output). I can't see anything about Firewire audio capability for the Macbook Pro where as the mini does have a listed muti-channel firewire out. Would a non-firewire output to the impact twin degrade sound quality?
3) Is a direct connection (ie. Powerbook audio out to B&O cable- BS3000/9000-powerlink- BL5) inferior to the digital connection proposed? IF so, how much of a difference is there??
Sorry for the questions. I see some comments regarding this but end up a little confused and want to know how much of a real world difference there is. Thanks again in advance.
Good choice in TV by the way Soundproof. I have the Pioneer KRP500M. Fantastic with Blue rays. Do you have the TV hooked up to the speakers as well? I may have to get directions for that too.
Beolab4for Mac Miller
Maybe in the next instalment to save your fingers. Regards Justin.
Core Audio is how Mac's natively handle all audio formats. It's designed to meet the requirements of the professional film and music industries. (Core Video). This is available to professional downstream components using the FireWire out, or particular soundcards that are installed in workstation versions of the Macs.
I would strongly recommend finding a Mac mini, as you would probably find it limits the use of your MacBook Pro to just have it connected to your system, far away from you. The Mac mini can be placed inside a cabinet, and can then be controlled and updated using an iPad, a laptop, iPhone, etc. Screen Sharing on Macs lets you do most configuration and maintenance task as if you were controlling the Mini directly, over your network. Some MacBook Pros do have FW out. You can pull an optical toslink signal to an Impact Twin, but then you might want to consider using a straight conversion, as originally proposed.
The point is that your speakers are capable of such fine resolution that you want to ensure the best possible signal reaches them, and using FireWire out to a soundcard, and then going to your speakers, ensures that. By direct connection I take it you mean taking a signal from the Minijack out from a Powerbook, and then going to AUX in on the BS3000 or 9000. I would be wary of damaging the speakers when inserting and removing the plug, unless the speakers are off. And you are then leaving the decoding of the audio signal to the cheaper DAC inside the Mac, which has been shown to be a very noisy environment as far as jitter is concerned. Stereophile/Cambridge Audio had a discussion about that which can be googled. Note that this discussion deals with USB out, which is much better than using Minijack out.
The mini is used for playback of a variety of video-files, including BD which has been extracted from the originals, using Plex which is multi-format capable. I send the audio for that to a surround processor, the pre-outs of which is connected to the LINE IN on the speakers. Audio from the STB goes to the same surround processor via coax s/pdif, but can also be accessed directly through the Beomaster, when I only want 2-channel sound which is fed to the Beomaster via analog from the STB. That audio then reaches the BL5s through the Powerlink. Hi I was inspired by this thread to buy the tc connect impact twin.
Now I have connected it to my mac mini and I even got audio through to my BL5. What I still haven't managed is to have the BL5s autosense the digital spdif signal from the impact twin. From what I understand the BL5 should autosense digital input and output that even if anything is already playing through powerlink. My BL5s are connected to a BV7-40 mkIII with powerlink mk2. The BL5s have serials starting with 20. I have an Overture connected to the TV, but I do not use it much.
Beolab4for Macy's
Beolab 4 For Mac
I get digital audio with option 4, but then I have to switch option to use the TV or the Overture. I'd really love if I could use the same option and still control volume both with my B&O and the mini mac Any suggestion on what I need to do are greatly appreciated. Hi Kim, the BL5's only listen to the SPDIF when you select 'CD' as a source. This is the only limiting factor in using this configuration. I would love to simply use 'AUX' as that is a source I have now open. I have the BV10, and I couldn't have it connected as the Videomaster, because it doesn't carry the 'data info' or something similar in the Powerlink cables, thus making the BL5's unaware of what source they are being fed with.I'm still confused about wheather or not to get the extra soundcard. I'm just blown away by the awesome sound I get playing directly from the mac mini's optical digital out and converting the signal to coaxial.
I can't hear any difference from CD.But since the soundcards are pretty inexpensive, I guess I'll try it at some point. @bayerische Thank you for clearing that up. The autosensing on spdif works like a charm when I select the cd source. The CD on my Overture stopped working years ago, but thats just perfect now. When I hit CD my Ouverture turns on, the bv7 turns on it's display and the BL5s fire up. As soon as they get a spdif signal from my Twin Impact / mac mini beatiful tones fill the room.
I have not made a comparison on the Twin impact versus a signal straight from the mini. I went ahead and bought the Twin Impact when I saw the danish musicshop www.aage.dk offer it at 1999 DKK, aprox. I found it to be a bargain. Next step is to rearrange my living room.
The pictures of Soundproofs listening room above and his description match my livingroom almost exactly. I'll give Soundproofs layout a try and I think I might start a seperate thread about it. When I am in option 0 I need to prwss CD to get the output from the soundcard recognized by the BL5s. I then have the Beomaster in the loop.When I am in option 1, the output from the soundcard takes presedence over everything else (s/pdif). But if I switch off the soundcard, then what comes down LINE is recognized.
I have my surround processor delivering to the BL5s through LINE.Please try Channel Ds Pure Music software. They give you a fourteen day trial period, you'll appreciate what their proprietary player delivers to the speakers.